Project Hail Mary is the second film adaptation of books from science fiction writer Andy Weir. The first came in 2015, when The Martian proved to be a big screen hit. In this go around, the author played a more central role in the production, but will the movie match the success of its predecessor?
Ryland Grace is awake, kind of, but he’s not really sure where he is or why he’s here. As he fumbles about in unfamiliar surroundings, a few things become clear. He’s been in some kind of induced coma for a while. He’s on board some sort of space vessel. He’s all alone. And he’s a very long way from home. As Grace slowly recovers his memory, he re-discovers his mission. The Sun is dying, and he needs to save it, and by extension, Earth and humanity. A reluctant hero, Grace starts to relearn everything he once knew about this catastrophe and the nearly insurmountable task ahead of him. However, it turns out he might not be quite as “all alone” as he thought. Can Grace and a newfound companion solve the mystery of why one distant star seems immune to the cosmic plague? More importantly, can they figure it out in time to return to their respective homes with a solution before their planets die?
Hail Mary is a very decent adaptation of Weir’s novel by the same name. The movie looks great. It’s a big blockbuster space movie in every sense. The feel is reminiscent of The Martian. We have a similar isolated quippy wise-cracking scientist who has to deal with difficult scientific challenges under extreme stress, even some of the same type of direct to camera “log” entries to keep the information flowing. There’s a similar flow where characters make headway, then suffer a setback, and work to solve problems along the way to finally achieve their goal. The addition of a back-and-forth between Grace and his alien companion builds more of a “buddy” movie feel, but the tone is very familar.
Ryan Gosling is good in the lead role, and he has to carry the film (like Matt Damon did in the previous film). The supporting cast (seen mostly in flashback) are good as well, but only one or two are fleshed out much.
The book’s author was more directly involved this time around. As a result, the movie sticks pretty close to the book. That said, it definitely filters off a significant bit of the hard science fiction aspects to focus on a more general audience friendly relationship story. If you were pissed at how much The Martin softened that book, you’ll be pissed again this time around. There are entire major plot points left out, Grace himself is dumbed down a bit, and as I mentioned, some of the supporting characters are less evident in the movie than they were in the book.
Overall, I enjoyed Project Hail Mary and definitely would recommend it. If you like big science fiction thrill rides, and want an honest-to-goodness theater experience, this is a good bet. However, if you’re diehard about a film mirroring its source material exactly, and you are familiar with and love this book, you’ll probably be disappointed. The movie is rated PG-13 for some mild language, brief violence, and discussion about suicide.