Login required to started new threads

Login required to post replies

Music theory 101: same beam but bridging clefs
Quote | Reply
Does it mean that the same hand plays all the notes in that beam?
Otherwise why not write it as two pair of eighth notes with one on each clef?
This is for piano

Last edited by: mv2005: Feb 28, 17 5:24
Quote Reply
Re: Music theory 101: same beam but bridging clefs [mv2005] [ In reply to ]
Quote | Reply
Your seat's too high!

---------------------------
''Sweeney - you can both crush your AG *and* cruise in dead last!! đŸ˜‚ '' Murphy's Law
Quote Reply
Re: Music theory 101: same beam but bridging clefs [mv2005] [ In reply to ]
Quote | Reply
 

without specific instruction, do it how you want. I would do it all withthe LH based on what comes up after the repeat.

Writing it this way (in particular the high E bass clef ) means one of two things: it was just bad manuscript, or the composer is trying to convey something to you. Think about what they may have been conveying and that should help you decide how to play it.
Quote Reply
Re: Music theory 101: same beam but bridging clefs [ajthomas] [ In reply to ]
Quote | Reply
Oh ok. I just wondered whether it was effectively telling you it's easier to play the first four notes with the left then the next part of the measure with the right.

If it's open to interpretation I'll just wing it. Just didn't want to fall into bad habits early into the self teaching phase.
Quote Reply
Re: Music theory 101: same beam but bridging clefs [Sweeney] [ In reply to ]
Quote | Reply
Actually my seats too squeaky. There has been a post about that too!
Quote Reply